https:\/\/www.shotinthedark-film.com\/wp-content\/uploads\/2017\/06\/Dokumentation-Shot-in-the-dark-Der-Ton-ist-essenziell-bei-.mp3<\/a><\/audio>\n[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_3″][et_pb_testimonial admin_label=”Berliner Zeitung” author=”J\u00f6rg Wimalasena” company_name=”Berliner Zeitung” url=”http:\/\/www.berliner-zeitung.de\/kultur\/film\/blinde-fotografen-wenn-das-augenlicht-zum-hindernis-wird-25529172″ url_new_window=”on” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]\nWith his moving portrait, Frank Amann has succeeded in questioning the connection between visual aesthetics and optical perception.<\/p>\n[\/et_pb_testimonial][et_pb_testimonial admin_label=”Neues Deutschland” author=”Jana Reimann-Grohs” company_name=”Neues Deutschland” url=”https:\/\/www.neues-deutschland.de\/artikel\/1039059.poetischer-schuss-ins-dunkle.html” url_new_window=”off” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]\n
Let us start by bringing the accessibility of the intellect into the discussion on blind imagination.<\/p>\n[\/et_pb_testimonial][et_pb_testimonial admin_label=”TAZ” author=”taz.plan” company_name=”TAZ” url=”https:\/\/www.taz.de\/Filmpremiere\/!5372865\/” url_new_window=”off” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]\n
In \u2018Shot in the Dark\u2019 the artists become the sighted, while the viewer is forced to recognize that he is often in the dark \u2013 without even knowing it.<\/p>\n[\/et_pb_testimonial][et_pb_testimonial admin_label=”S\u00fcddeutsche Zeitung” author=”Jonathan Horstmann” company_name=”S\u00fcddeutsche Zeitung” url=”http:\/\/www.sueddeutsche.de\/kultur\/filmstarts-der-woche-welche-kinofilme-sich-lohnen-und-welche-nicht-1.3337797-11″ url_new_window=”off” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]\n
Frank Amann\u2019s documentary succeeds brilliantly in making the sensual experiences of the blind comprehensible using, of all things, a visual medium.<\/p>\n[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=”1_3″][et_pb_testimonial admin_label=”Kino Zeit” company_name=”Kino Zeit” url=”http:\/\/www.kino-zeit.de\/filme\/shot-in-the-dark” url_new_window=”on” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” author=”Simon Hauck”]\n
Sighted people\u2019s powers of imagination fall well below their potential.<\/p>\n[\/et_pb_testimonial][et_pb_testimonial admin_label=”Filmdienst” company_name=”Filmdienst” url=”http:\/\/www.filmdienst.de\/kinokritiken\/einzelansicht\/shot-in-the-dark,548966.html” url_new_window=”on” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” author=”Ulrich Kriest”]\n
<\/p>\n
A gripping, incredibly powerful visual testimony to the power of human creativity and imagination \u2013 and some of the photographers will never get to see their own artworks.<\/p>\n
<\/p>\n[\/et_pb_testimonial][et_pb_testimonial admin_label=”Cinema.de” company_name=”Cinema.de” url=”http:\/\/www.spielfilm.de\/filme\/3003101\/shot-in-the-dark\/kritik” url_new_window=”on” quote_icon=”on” use_background_color=”on” background_color=”#f5f5f5″ background_layout=”light” text_orientation=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid” author=”Falk Straub”]\n
<\/p>\n
Even if Frank Amann foregoes classical dramaturgy and a melodramatic presentation of the life and work of the three artists at the end of his film, opting instead for a matter-of-fact narration, Shot in the Dark is compelling from start to finish. An equally fascinating and touching portrait of three exceptional artists.<\/p>\n
<\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"
PRESSESTIMMEN A totally new way of seeing, both in terms of the film, which is a visual work of art, and the artworks themselves \u2013 I have never seen anything quite like it. (Radio broadcast, in German) The film is a perfect success. Astonishing and electrifying. (TV broadcast, in German)
https:\/\/www.shotinthedark-film.com\/wp-content\/uploads\/2017\/06\/Shot-in-the-Dark-im-Kino-Kunscht_S.mp4<\/a><\/video><\/div> It… Continue Reading Press Commentary<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-866","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.shotinthedark-film.com\/en\/wp-json\/wp\/v2\/pages\/866","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.shotinthedark-film.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.shotinthedark-film.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.shotinthedark-film.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.shotinthedark-film.com\/en\/wp-json\/wp\/v2\/comments?post=866"}],"version-history":[{"count":0,"href":"https:\/\/www.shotinthedark-film.com\/en\/wp-json\/wp\/v2\/pages\/866\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.shotinthedark-film.com\/en\/wp-json\/wp\/v2\/media?parent=866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}